Janet Jackson, Sex, and Ritualism


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Janet Jackson, much like her brother Michael, has had a career of metamorphosis. She has been marketed as the girl next door seeking to go her own way beginning with her song “Control” (the very satanist and occultist Alistair Crowley – philosophy of do what thou wilt and also disobey your parents) to the wonton exploring her sexuality. The soft voice and chubby cheeks, her acting work on Good Times and Different Strokes plus association with her brother Michael in his heyday easily lured in the youth and mature audiences. All of this amplified her fame above her vocally stronger as well as softer-voice female contemporaries and predecessors.

She went from being a bubblegum princess to a sensuous siren. Though, she was a sensuous siren in bubblegum princess costume, hence her song “Time Flies” and her backing vocals on Herb Alpert and Lisa Keith’s “Making Love in the Rain.” I like both of those song at the time that they debuted when I was in the first grade.

In later years, I noticed Janet went from being sensuous to nearly pornographic, particularly during her concerts. It was then that she became Beyonce before Beyonce in more than one way. In the sense of fame, she was already Beyonce before Beyonce. Yet, it’s almost as if that breast exposure debacle at the Super Bowl was a strategy from the elitist powers that be to have Janet Jackson step back so that Beyonce would step up.

Janet Jackson and Beyonce have also crossed the line when they chose to be sacrilegious and profane towards GOD. In Beyonce’s Lemonade blasphemously, she sings about using pages of The Holy Bible as her tampon. However, not as popularly known is Janet Jackson’s profane on-stage sex ritual. In her ritual, she brings a concert-goer on stage and straps him to what looks like a cross then simulates bdsm sex acts with him, herself being a dominatrix.

Please pray for Beyonce and Janet Jackson as well as those under their influence

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